Friday, December 26, 2014

The Texture of Christmas--2014

Texture-Pattern-Shape-Color…tactile and visual attributes. It’s no secret that the fuzzier for me the better. Until now.
Restraint? Well I’m not gonna go overboard. But I do think in my old-er age I might be pulling back just a teeny bit from my Southern, country ass, GTH togged “look at me, look at me” cornpone sprezzatura. Who knows, maybe I’m unwittingly slipping into a phase of official mourning. Somber, black crepe hanging attire included. Queen Victoria did it after Albert died. And God knows she loved Albert better than Peter loved the Lord. That’s almost as much as I loved my mama. False alarm. I just realized that if you’ve unwittingly slipped into something, it’s kinda hard to then deem it official upon arrival. Hold me. I’m confused. Unofficially.


Case in point regarding my new, albeit just a teeny-tiny scooch over towards modulated fuzzy moderation…I took a pass on this orange corduroy Ralph jacket the other day. I’m only six weeks into orphanhood and it just seemed damn wrong on all levels to consider taking title to it. Plus I didn’t go to Clemson or Princeton or Tennessee or Florida or any of those other schools that claim orange as one of their school hues.
But forty years of mourning? I do think Victoria took it a bit too far. What with only wearing black and refusing to leave Balmoral for ages on end and using nothing but black bordered mourning stationery for the rest of her chubby little roly-poly life. Johnny Cash is the only fella who had the color black’s permission to singularly don it for decades on end. And he wasn’t mourning a damn thing.
Apropos of her forty years of black creped-ness, Vanity Fair reissued their original portrait of Queen Victoria in monochrome black with a mourning border when she finally joined Albert and Jesus in 1901.
Here’s the colorful original version from Vanity Fair—June 17 1897.
And another thing about Queen Victoria before we move on…What we don’t know for sure is whether or not she was getting some real bereavement comfort from her trusted ghillie John Brown. I sure hope so. And I’m not just talking about the therapeutic benefits of long walks and talks. We all know that they did a bunch of that. Lord knows I can talk. And walking still comes easy. I’m thinking I need me one of them constant bereavement companions for a while. Butcept a girl one. With benefits.
The texture of my 2014 Christmas has so far been rough and smooth. I’m alone but not lonely. My heart is still heavy—now magnified by this being the first Christmas without my mama—but I’m not wallowing in it. I drove home yesterday. In a MINI Cooper. John Cooper Works performance edition to be exact ("Performance Edition"MINI...ain't that a hoot?)...with my prostate seven inches off of I-95 for 7.5 hours. I need another car. And a smaller...
I’m typing this from my childhood cowboy bedroom and the monastic silence of being here alone isn’t depressing at all. LFG is in Florida, my brother is around the corner at his house and I’ve reconnected with a bunch of childhood friends who are here for the holidays. So I’m by myself in this once boisterous and noisy holiday house but I’m ok. I had a visceral, primal need to be here so here I am.
A tree? Of course. I’ll never have an artificial one but since I was solo this Christmas I didn’t need a big one of any type. So I nabbed a piccolo fir and just donned it with my favorite ornaments.
And thanks to Susie and Dougie for sending me presents. Otherwise the tree wouldn’t a been the only thing attenuated.
Back to texture and pattern...I had to put on real clothes the other day and make some business and personal rounds. And I coulda put on some GTH Christmas corduroy embroidered caca trousers and some retail red waistcoating like all the other holiday revellers. But I didn’t. Remember, I’m in mourning.
So it was a navy blazer and my Daddy Flusser semi-GTH Bronco Buster wool challis togs. Oh, and my Meermins which are holding up just fine in year-two by the damn way. Shut up. 
And I even got a mourning haircut. I figure another year and my follicular vacancies will be such that I’ll go back to cutting the remaindered sprigs myself.


My bereavement is evident in this Polo Chevy Chase selfie that I took while out and about. Time will bring back my smirky little pinch mouthed puckishness. But time has deemed six weeks not enough.
Oh, and by the way…don’t dress like this and visit a retail establishment lest you want them to think you work there. I don’t.
And I tried on a few things that I can’t buy. Including this bereavement brown vest. Buy it for me.
Maybe brown is my mourning color.
Kinda. Brownish green-essence with a green leather club chair. I mean really…how damned crepe laden can a fuzzy-ass flâneur like me become?
Brown. It’s a restrained color ain’t it? But who says the texture-pattern thang has to be? I vote no and you should too.
I’m gonna close this drivel load now. It’s off to the shower and off to lunch. Christmas just ain't Christmas this year. But it's ok.

Onward. Rough and Smooth.


Saturday, November 22, 2014

Flusser Apologetics and JMW Turner Unapologetically

I kinda miss ole Daddy. ‘specially now since I’m a full-fledged orphan. Daddy this time being God, aka Alan Flusser. God you say? Yep. He’s a reluctant owner of the moniker but not too reluctant. I mean really, it makes no difference if you are a nice Jewish boy turned Buddhist from the upper middle class enclaves of the Garden State and then four decades Gotham habituĂ© or like me, a country-ass redneck from the Palmetto State. Everyone loves a bit of adulation.  But my life circumstances have had me missing Alan’s Washington visits and my scant Gotham sorties haven’t offered Flusser Fellowship in over a year.
I started it. I’m the one who first called Alan God. I’ve admired him since way before he ever befriended me and started taking a lot of my money. And I’ve said it a zillion times and I’ll say it again to you knuckleheads who say “Alan Flusser? What happened?” Nothing has happened, dumbasses. Alan’s riding the waves of time just like the rest of us. 
And the “What happened?” question seems always posited on those forums in context to thirty year old publicity/jacket cover photos of Alan. Unless you are splashing on embalming fluid every morning, I’d bet that a thirty year progression of your mug shots would show us a journey not dissimilar. So back off of Daddy.
I’ve aged ten years in eighteen months. Shut up.
I too used to hang on to the idea of Alan Flusser, circa 1984 just like I did with Ralph Lauren, circa 1978. These were my Ed Sullivan moments for both Beatles-esque sartorial acts. The moments when they not only forever installed themselves in my sartorial and aesthetic register, but when they were also both on f_cking fire. Shut up. These were Ralph’s horse blanket Shetland plaid sport jackets (made in the USA by Lanham) moments and Alan's horizontal dress shirted, gut end braces, chalk striped drapy trousered, double breasted days.
But things change—all life is transitory and that includes sartorial epochs. Bruce Springsteen said “every now and then you have to break your own narrative” and National Geographic photographer Dewitt Jones said that “if we don’t question our patterns, they become our prisons”. Alan and Ralph have never strayed too far from their core strategies but for the sake of their own engagement, relevance, and perhaps amusement, they mix it up a bit.
Artistic licence (If he’s is anything, he’s an artist) and relaxation would be two characteristics of Alan that I’d use to distinguish the current state of his evolution.  Alan is a grandfather and is long past the need care too much about the opinions of the general public or investors or journalists. So what if most of the world thinks he needs a haircut? I hope he grows it down to his ass and then sells locks of it. I'll buy some and a make a bracelet. Shut up.
Courtesy of Gentleman's Gazette
Look at the sockless daddy...with kick ass Gucci Deal Sleds on. Stronger than wolf nooky. Yep.The one-time arbiter of beltless, Thurston braced drapy trousers and made by Old Man Cleverley himself, buckled or laced shoes, now wears slip ons and flat front belted trousers almost exclusively. His two daughters flipped out when they discovered that he actually bought a pair of jeans. 
And the man is obsessed with comfort. Lora Piana drawstring lounge togs? If they exist, I bet Daddy Fluss has them on right now. Me? I’m in a dirty, terrycloth zebra print robe that I stole from the Hotel Monaco. 
Photo from The Trad
When scores of you suggested that I remove of couple of the dingy-ass cotton bracelets from my left wrist, I added three more. I only thinned out my circular fellowship of bracelets for my mamma’s funeral last week and I hope that Alan only grooms differently for such rare situations. I walked my sister down the marital aisle twice. I don’t think I’ll have to attend a re-do of my mamma’s send off so I’m going to reload my wrist. GTH.
And speaking of “GTH devotees”, I just saw the JMW Turner Late Pictures exhibition at the Tate Britain and was blown away. Every picture in this show was Turner aged sixty-five to his death at seventy-six. Nothing earlier. Radical. Mind bending. And imagine how imposing his pictures were to the aesthetic sensibilities of the Art Establishment of the time. Oh and here's a Turner self portrait as a young man. Probably idealized a bit but still, he was a young shaver when he painted it.
“The EY Exhibition: Late Turner – Painting Set Free is the first exhibition devoted to the extraordinary work J.M.W. Turner created between 1835 and his death in 1851. Bringing together spectacular works from the UK and abroad, this exhibition celebrates Turner’s astonishing creative flowering in these later years when he produced many of his finest pictures but was also controversial and unjustly misunderstood”.
Turner even as a young man was always an incredible capturer of water and clouds. Water and air’s movement, energy and emotion are difficult to memorialize in any medium; watercolor, pastel, drypoint, tempera, or oil. And an artist’s attempt to convey it tests greatly their mechanical skill and even more so their talent for finding and then really, really seeing these magical properties.
Whistler had the same talent for seeing and conveying dawn, dusk and midnight. Anyone with basic artistic skill could capture a lush, painterly image of the old Battersea Bridge. But Whistler shrouded it in atmospherics. Twilights and dawn peeks, mists and vapors. He and Turner saw what others didn’t but that’s only one part of the gift. The artist must then transfer it. And this is the moment when talent and skill must congregate. Ralph and Alan. Congregationalists.
The volume of Whistler’s Venice pastels exist mainly because of chilly mornings and early evenings.  When he deemed it too cold to transfer artfully his mind’s eye capture on to an etching plate with a needle, he would bide his time drawing, courtesy of a little box of pastels and light brown cards that he kept in his pocket. 
When his hands warmed up, he’d tuck away his pastel kit and commence etching. I'm just happy that there were days when his hands were cold.
Photo Courtesy of My Damn Self
Folks, to be able to do that is talent and skill combined and Flusser has it out the ass. Still does. His eye remains unrivaled and his skill for conveying it courtesy of colors, textures, and mediums is as Turner-esque as ever. I deemed Flusser “God” long ago after manifold moments of him gently pulling me back from the crag where I’d unwittingly almost fall into the Canyon of Clowndom. Had Alan not steered me to this heathery green cashmere and wool option, surely I'd have ended up with some kind of bright green hootchie cootchie coat.
Photo from Off The Cuff DC
And I'd ape the hell out of Alan. There was a time when I’d simply see what Alan was wearing at the opening of a season or a trunk show and just say, “I’ll have that.” And that was always a good decision. Why try to knock off Turner and Whistler when you can simply have the Master create one for you?
Turner was sixty-five when he threw into overdrive his slaying  of the staid opinions and calcified mores of London’s Art Establishment. And he didn’t let up until he died eleven years later.  They literally thought Turner was demented. Maybe he was and thanks be to the neurosynaptic gods for it. Look at this picture. You almost need to dress for it. Barbour at minimum. Maybe a crash helmet too. 
Turner looked like this when he opened his final can of whoop ass, punching the Establishment right in the nose. Not quite the dashing fella of previous decades but still loaded with juice.
And how could I have rambled on about all this without including my friend and soothsayer of balance and restrained playfulness, the mighty eruditey, G. The Bruce. Boyer.  Bruce’s  afterburners didn’t even feel the need to kick in till he was into his fifth decade of extolling on things sartorial.  I know of no one who has more thoroughly enjoyed…reveled practically, in the digital age of sartorial expression. Like I’ve said before, nobody shit-talks Bruce Boyer.
Flussdaddy remains the go-to man, the unimpeachable control tower for the sartorial takeoffs and landings of stick and rudder Cessna guys like me who think they are the lead solo jet on the sartorial Thunderbirds.


Now get your b_tch ass in the kitchen and make me some pie.

Onward. Going home this week to mamma’s for Thanksgiving.

ADG2. Thankful. 

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